Harvest Gulgaltha were formed in 2012, and they did release two recordings via Aphonic Sonance: the demo-tape I and the 12”LP Necrosophic, respectively in 2012 and 2014. That demo, originally released on cassette in a limited edition of 100 copies only, will now be re-issued by great Nuclear War Now! Productions on vinyl as teaser for the upcoming second full album.
In quite an interesting parcel recently send to our headquarters, Lower Silesian Stronghold’s label owner Krzysztof included several Dark Fury-albums. Undersigned was quite ‘happy’, for I truly adored the album Synningthwait (check out the review on the update of July 21st 2014).
On June 7th we did an update for the split 7”EP in between Israthoum and Chalice Of Blood, released too via Daemon Worship Productions. Both bands contributed with a great track – but read the review yourself and find out…
That’s one of the many things I like about Satanath Records: they are so diverse on several matters: a huge stylistic roster (from Grindcore over Death Metal to Black Metal and Thrash, as well as Ambient, Post-Rock etc.). But their open-mindedness goes further, in search of projects and bands from all over the world. This time we have to cope with a release from a band from Costa Rica, of all places! But do not expect white-sandy beaches, sweet cocktails and happy-tuned music – but you surely wouldn’t expect me to write about such thing…
Tarnkappe are a Dutch combo with (former) members of e.g. Krocht, Lugubre, Kjeld, Gheestenland and Salacious Gods, and admit: that does sound promising, does it not! They recently re-released the album Tussen Hun En De Zon, which means ‘in between them and the sun’, via Kult-label Hammerheart Records, but it was originally released in October 2013 via Sabbath’s Fire on tape.
When I listened to Ragnell’s debut, I was quite enthusiastic about the result. That mini-album, called Black Requiem, was, just like the one this chronicle will deal with, released via Satanath Records, and the review was updated on September 27th 2014 – check it out!
Italian act Embryo returns with a new album, which was recorded, mixed and mastered once again by long-time producer Simone Mularoni (you might know him as well from his assistance to bands like Vision Divine, Ravenscry, The Modern Age Slavery, Anatomy Of I, Stigma a.m.m.). It took quite some time, because their last album, the highly acclaimed No God Slave, dates from 2010, but the fans will not be disappointed.
The ‘issues’ in between Ukraine and Russia do not always infect ‘our’ sonic scene. I am talking about the collaboration of musicians, joining to start up a new project (or continuing an existing one), or labels from both countries taking care of the release and / or distribution of stuff from one of both countries (or another).
Despite almost eight years of existence, Epitaph For Life isn’t but the first full album, and their second official release. Once again kindly offered to the audience by mighty Russian top-label Satanath Records, this time in co-operation with Black Plague Records (from California), it saw the light at the very end of 2014.
That’s why I (sometimes) like collaborations: ΑΓΟΣ, aka AGOS (yeah, I learned some Greek too in a not-so-recent past), are a partnership in between Virus Of Koch’s Van Gimot (performing about everything) and Aenaon / Black Winter’s Astrous (responsible for all lyrical and visual concepts). But such co-operations aren’t necessarily winning teams; but in this case, however, it is.
