Seven Morgues are (or were?) a project by Industrial / Ambient / Ritual Music artist Oren Ben Yosef, assisted by Ravid Zigdon, Yaron Allouche and some other human beings. They did record and release some material during last decade, and this release, the full length Brass Bells Poor Brothers!, is, if I am not mistaken, the latest release by this Israeli project.
Forever Plagued Records are releasing another Orcultus recording, at the very same moment of the Endless Hate & Misanthropy re-release (which was reviewed in 2014 – check the site somewhere, sometime). This sweet Swedish outfit and the label did choose for a cassette edition once again, instead of fully mastered CD-stuff, in order to express their adoration for the underground.
One of the splits with NunSlaughter included (I will come back to the one with Perversor soon) is this one, with Colombia-based Witchtrap. For this split especially, they had their songs translated in Spanish, i.e. La Ofrenda and Altar De La Muerta. Isn’t that sweet?...
After some years of relative silence, Vologda, Russia-based band My Darkest Fury return with their second full length album, which was recorded in 2010 and 2011, produced by band vocalist / lyricist Artem and I. Sobolev; mix and mastering were done in between 2012 and 2014 at the Portal Records Studio in My darkest Fury’s home town. Hectic Existence clocks half an hour, and that’s a pity for the quality begs for more; at least if you’re a fan of this kind of un-beauty.
I do remember the sweet Mexican guys from Milicia Oscura from the Ante Christo album especially, which was released in 2013 via one of the most worthy labels nowadays, Satanath Records. I will, by the way, write a review on this album too in a (very near) future, because it’s worth it (ask Satanath’s frontman Aleksey if you do not believe me!). That one might deal (once again) with older stuff, but as a matter of fact, this specific review deals with even older material.
French act Le Seul Elément is a one-man outfit by someone who wants to stay incognito, because his Music has ‘an air of danger […] that seems to come from a ghost or some other force out of this world, as an abstract shadow-play translated to music’. My first idea was: yeah, whatever… Yet still, some mysticism; I’ve always liked that, so why not giving this project a chance?
Poland-based Old Temple have a fine-tuned nose for everything that reeks of nastiness. That was one of the reasons to join forces with Embrional a while ago, the latter being a band that was formed more than a decade ago (initially as Embrional Necrophilism, by the way). This act released a first full length in 2012 (Absolutely Anti-Human Behaviors, once again via Old Temple), which received great response all over our metalized globe. Undersigned too was modestly enthusiastic about that effort.
Pretty soon I will come back to the new full length by Dirk Serries - you know, the guy behind acts like (defunct) vidnaObmana, Microphonics, Continuum, The Void Of Expansion, Fear Falls Burning, Streams Of Consciousness and so many more. That album, for your information, is called Unseen Descending And Lamentations and has been released as well via ConSouling Sounds; stay alert!
Last year I got in touch with Krzysztof, the guy behind The True Underground’s Lower Silesian Stronghold-label.
About one decade ago, Nicholas Onfray (think also: Black Moon, Ruined Sanctuary, Horns, The Last Knell etc.) formed the outfit Animus Mortis. He joined forces with vocalist Sid, and as a duo they recorded the demonstrational recording, called Desolate Landscapes.
