I know a couple of bands named as ‘Horrified’, but this review deals with the UK-based one, an act with former or current members of e.g. Plague Rider, Winds Of Genocide and Risen Prophecy. In early 2013 they released a (first?) demo, and now they debut with Descent Into Putridity, an expression of the old styled filth we all felt in love with two, maybe three decades ago.
Exactly three years after the debut album Odium, Russian act GodHater return with the sophomore full album, Blasphemia. This time Belial (bass / vocals) and Sagoth (guitars) were joined by session drummer Roman ‘Yog Sothoth’ Grigoriev (known from Pseudogod and Act Of God) after former drummer Spike left.
This new Ewigheim-album is to celebrate the project’s 15th anniversary. For a discography and biography, I’d like to refer to the reviews I did for the former recordings, Nachruf (see update January 6th 2014) and Bereue Nichts (posted on October 31st 2012, available within Concreteweb’s Archive).
I’ll be very short about this release. Devilment were formed by Daniel Finch in 2011. Since he was looking for a singer that could fulfil his ideas, he contacted his friend Dani Filth, you know, that pretty boy from Cradle Of Filth, who immediately agreed to co-operate. After Dani finished his part for the Cradle Of Filth-album The Manticore And Other Horrors, he did the vocals for the Devilment-demo Grotescapology.
Jayn Hanna Wissenberg started the solo-outfit Darkher after she did put her former band The Steals on hiatus. She wrote and recorded three tracks that would eventually be self-released, untitled and in an edition of 100 copies only (I guess it was via her own Faun Records-label, which also released The Steals-material), but the stuff was too good to stay so extremely limited.
Cemetery Filth are a band that were formed in early 2014, but immediately they do impress a lot. And with ‘a lot’, I mean a lot! The quartet, i.e. vocalist / guitar player Matt Kilpatrick, drummer Jonah Turner, guitarist Ryan Guinn, and bassist Neal Williams, recorded their part at different locations and at different moments, since they live in different areas in North-Carolina, Tennessee and Virginia.
The Finnish three-piece Caskets Open were formed in 2007 as some tribute-band (not a cover band) to the likes of Saint Vitus, Reverend Bizarre etc. Soon these doomsters reached a widely-appreciated live-status, and after a first demo (Buried Upside Down) they were offered a deal by several labels. Eventually Caskets Open recorded their debut album But You Rule to have it released via Germany’s Streaks Records.
Bone Cracker (or Bonecracker) are a band from the city of Minsk, Russia, formed about two years ago. They had a one-track single earlier this year to promote their upcoming debut full length, and that song indeed appears on Пopoku. Apparently this material, and then I am referring to the album and not that single track only, was originally released on tape via Zombi Records.
The Australian combo Black Jesus, with former and current members of e.g. Whitehorse, Pneumatic Slaughter and The Berzerker, was formed in 2008 in the city of Melbourne, and during their existence they gained quite some popularity in their home country. An audible result is their live album Fucked…..Live.
Black Demon Rites are a Swedish trio (Helge, Björn and Micke) that signed Misanthropic Generation Media’s roster in order to release their Motmänniskan-recording on tape. It’s the second release for that label, which focuses on the release of cassette-editions only, after På Fortvivlans Krön by Svartä; for the review on this tape, check out the update done on November 10th 2014.
