Not that long ago, I received a very promising message: Corona Barathri would install a totally new label, at the one hand as a (digital only?) distro for occult Underground Music, as well as for the release of some new Corona Barathri recordings.
In the introduction for the re-release of Black Sorcerers Fortress by Endoki Forest, I gave a short description about the history behind the guy who runs both the young Hyperborean Age Records label and the interesting projects he’s involved with. So I am not going to repeat myself; check out that chronicle in case of interest (link: below). I just wonder: John, where are you?! What with the label?...
Cryo Chamber is an American label (from Oregon, to be more specific) that focuses, as stated on their Bandcamp page, on high quality dark ambient with a cinematic edge. The label is run by Simon Heath, sonic and visual artist, and the guy behind acts like Sabled Sun, Atrium Carceri or ‘legendary’ (sadly defunct) Za Frûmi. And within the Dark Ambient genre, Cryo Chamber for sure is (one of) my favourite(s) worldwide.
I do not know whether it is to celebrate their 25th anniversary; ah, it doesn’t really matter… Anyway, Italian act Frostmoon Eclipse returns, after more than three years of absence, with their seventh full length studio album. The band was formed in 1994 by Claudio Alcara (who used to be part of the mighty Handful Of Hate line-up too).
When I think of Palma De Mallorca, I usually see beaches and bars, bikinis and more bars, beaches and bikinis (there’s nothing else to experience out there, you see; and since I do not like beaches, I’ll focus on the bars and the bikinis…). But this Balearic island is also home to Helevorn, a combo that celebrates its twentieth anniversary this year. Happy birthday to you and stuff… No, seriously, Helevorn are a band from the city of Palma, dwelling around as from the very end of last century.
…an older one, released about one year ago, yet too interesting to ignore… …yet I’ll keep it short…
Five years and something ago, two Canadian musicians joined forces under the Zaum banner with one goal: to create a form of Doom that trespasses all boundaries and limitations. Kyle Alexander McDonald (Shevil) and Christopher Lewis (Iron Giant) created a first album in 2014, which was the impressive Oracles via I Hate Records (link: see below).
I am often thrilled by split albums, especially when the bands or projects involved are much appreciated by my eardrums. Well, that is exactly the case with this (untitled) split in between two French acts, Paris-based Cepheide and Time Lurker from Strasbourg. I will give a brief description on both projects’ presence immediately, but I’d like to focus, in the first place, on this album itself.
French label Occultum Productions houses many great projects and bands, especially from their home country, yet some international acts as well. One of those is My Deathbed, hailing from Greece. It is an outfit by a human being (I think) named Void, who promotes joy and happiness (completely following the ideology of the label indeed). It is quite a productive project, with almost two hands full of releases in less than two years.
Despite being formed at the beginning of this century, Sigillum Diabolicum are not exactly the most productive outfit from West-European soil.
