A quick one…
The ancient Egyptian god Horus had four sons, each of them with a relative important cultus to guide a deceased human being to his / her afterlife. All four of them were involved with mummification, preservation of dead people’s intestines after passing away, in order to guide those deceased people to the next step in life (even though it was not the trusted life-on-Earth thing). One of them was Kebehsenoef, Quebesenuf, Kkabesnouv, whatever how you want to write this name down in earthly scripture.
Ibex Angel Order once started as Sauron in 1997, then went on as a duo named Funeral Goat – we’re talking about the unholy year 2008 – and as from 2014 on, Ludas (aka LDS ;drums) and Herr AIDS (here as HRRDS; vocals and strings) continued under their current moniker. And just for your information, but both of them are involved with Abysmal Darkening as well.
The flame is burning, even where least expected…
I had not heard about Serpentine Apostle, but this band from Tallinn, the capital of Estonia, indeed seems to be covered in mystery and enigma. As far as I think that I’m informed, they (don’t know whether this is a one-human entity or a combo with several hominids) did record just one thing until now, and that’s the single Three Envenomed Fangs. As said, there is just one track on that EP, though it has a total running time of 17:19 minutes. Indeed, prepare for an intense sonic journey…
I can’t say much about this Portuguese band – who are they (or is it a one-man army), where do they (he / she) come from, what’s the story behind the project, and so on. The only thing I know is that Adverso did release a first demo (on tape), called Bringer Of Death, at the very end on 2017 via Purodium Rekords (also from Portugal’s black-scorched soil), and this very same label recently released the sophomore demo-tape, Ex Inanis (which is Latin for ‘from the void’, or ‘from emptiness’).
For about a decade, Swedish sound artist Michael Idehall creates a very own-faced form of Industrial under his own name. before, he was active under different pseudonyms too, but as Michael Idehall, this guy from Gothenburg is the most successful one. He always ‘tries towards manifesting an opening to a world beyond mundane. The creative process involves honing in on the nexuses between the flows of mind, matter and spirit. Nexuses which exist inside the human being, but also in the outer world, as conglomerations of energy and matter.
Last year I was sort of surprised positively by Cream, a two-tracker released on tape and digitally via the Italian label SØVN Records. it was a huge contrast to another tape by Jessop&Co., Skin Blade, which was released about half a year earlier, this time via Spain’s finest Craneal Fracture Records. I will come back to that release immediately. First a short introduction on the band.
Very recently I came in touch with a new label, based in Boston, MA, US of A. Main reason was the cassette release of a new EP by Cryostasium, a unique love-it-or-hate-it one-man orchestra by Cody Maillet. I will come back to this immediately. Yet first I want to express my astonishment yet huge respect for the label, and this because of its raison d’être. Fish Prints was started just a couple of months ago by Cody’s twin brother Thor, releasing ‘curious sounds, past and present’.
If I’m not mistaken, Kazemat hail from Switzerland. This experimental project released a couple of recordings via Spain’s Craneal Fracture Records, one of the most influential labels when it comes to Noise / Drone / Experimental Music.
Suzana’s Bauten is an act from Salvador, Brazil, with a logo visualised as 2V54n42 64V73n. This trio has a modest curriculum vitae going on (and most of the material was released via the great Spanish Noise label Craneal Fracture Records, and quite some stuff as well on, for example, Murmure Intemporel). So it goes for Nucleo Duro too, that Craneal Fracture Records release, available both digitally as on tape.