Death Carnival Records came up with a very limited split (edition of twenty copies only, minus mine…), a collaborative in between Russia’s Ashley Blues and American one-man army Joli. Both sonically adorn one side of the tape, which comes with mysteriously-attractive artwork.
The name K.F.R (mind the lack of an additional point after the ‘r’!) comes from the Arabic word for ‘käfir’; not the fungus, but a word that means ‘disbeliever’, which was tattooed on the Antichrist’s forehead in Islam. All hail the käfir!
Acid Enema are quite an old outfit by Mr. Abhorrent, who also released material under monikers like Agape Christian Preschool in a very first era, and as Abhorrent, as well as Sangre, … Anyway, the first ones are related to Acid Enema. Under this moniker, he was active during the second half on the nineties especially, as well as the very early 2000’s, but then everything faded away into oblivion… Until now.
Gdansk (Poland) originated artists Piotr Cisak and Paweł Oleksiński have been working together a thousand times before, very often with other sonic experimentators (like violinist Tomasz Mrenca or Dorota Mortek).
Quite the only thing I do know about Helledéofol is that they hail from the U.K., but do not ask me who is / are the (human) being(s) behind the project, for I do not know. In 2015 they did release some material on tape and the digital way, and early 2016 sees the release of Black Acid, the newest release, available the digital way on their independent (or Bandcamp) page, and in an extremely limited edition (of 25 copies only) on cassette via the young UK-based label X-Ray Noise.
Actually, this new release by Italian project Ensomhet 777, an outfit of Riccardo’19.84’ Z., was released in 2014 via !fanculo!, but I recently did receive a tape-version of that album, done via mighty UK-based Locust Amber Records. And just like acts such as Vinterriket, Moloch or Sieghetnar, this release does not deal with Black Metal this time, yet with floating sounds of mis(t)ery…
Eddy Soto is the name of the Colombian guy behind Desecrator Of Evil, a Black / Thrash outfit that actually started as a Noise-Punk project at the end of last decade (initially as Demon Destroyer, then acting under the moniker of Bestial Destructor, until the final change-of-moniker in 2011). The project is named after a composition by Witchtrap, for your information. Eddy Soto performs everything himself: vocals, guitars, basses and drums (no more drum programming, but ‘real’ drums).
One of the many projects with Mark Riddick is Fetid Zombie. In a very near future I will write and upload a review on the Sepulchral Voices LP, which includes four bands / projects, amongst which Fetid Zombie. But that’s for one of the next days / weeks.
Like many Moloch-releases (a couple of hundreds), Verwüstung too has been re-released, re-re-released and re-re-re-rereleasedreleasedrereleased several times before. Actually, I wrote a review for this specific album, one of the CD-editions, for the re-release on Hidden Marly Production – see update June 7th 2015.
Fuck You And Your Eyes was the first release on Skullhouse, one of the sub-labels of Legs Akimbo. This label focuses on Grind / Noise / Speedcore / Splatter beauty, and in the near future a couple of other reviews will pass… But first things first, and that’s this tape by UK-based act Spastic Burn Victim.
