I was totally blown away when I listened to the Khost debut album last year. Copper Lock Hell must have been one of the most impressive Industrial (and I know that’s quite a ‘large’ approach) releases in many years. Check out the review undersigned did for this high-quality recording, posted on November 17th 2014.
I was truly surprised by last year’s The Gradual Immersion In Nihilism, this Greek band’s debut on Nebular Winter Productions (see update September 22nd 2014), and now, one year later, this band returns with the sophomore full album, Inhumane Minimalism, once again via the very same (top) label. Nine tracks this time, having a total running time of thirty two minutes. Once again the whole was mixed, engineered and mastered by K. Filip at the F&A Studio.
Opposites do attract, and that goes for geographical issues too. Harlow MacFarlane from Australia and Cyclic Law from Canada did work together a couple of times before and… damn, what a stupid introduction…
I have always expressed my appreciation for the Quebecois scene, the French-speaking part in the East of Canada. I will not make a list of cool bands from out there, but be sure that this area brought for some of the better (Black) Metal acts from the whole of America.
In a series of quite some interesting, no, excuse me, impressive (!) Cold Spring Records-releases, I came along the Iron Fist Of The Sun-album We Can Yield Our Own Footsteps, a seven-tracker that lasts for forty five minutes.
Necrocult… There are several of them… This review deals with the French one.
Actually, this band was formed in 1994 as Crucifix, playing an old schooled form of Death Metal. Yet slowly on, their approach got darker, and the nameless debut album, released in 2003 via French label Snakebite Productions, already brought a more evil-sounding sound (in mean time the band’s moniker changed into the current one).
When Viktor ‘Lord Dead’ Medvedev parted ways with Barathron, he created the outfit Amezarak, which I do appreciate quite a lot. In case you’re interested, I’m glad to invite you to read the review on the former album, last year’s Daemonolatreia, which was uploaded on the update of September 21st 2014.
When I noticed that Bud Metal were about to release a new album, I was extremely aroused, of course. I was (and still am) quite enthusiastic about Avitas, an outfit by label-owner Myrtroen, and since I found out that one of both projects appearing on this split-album would be another solo-outfit of this guy…
What can I say? Unleashed have always been one of the most influential bands from Sweden, and after more than two and a half decades, they are still sitting on the throne of Battle Metal. Throughout the past years, their efforts became somewhat darker in approach and execution, and evidently this path continues.
Once again via long-time label The End Of Time Records, and this time in a co-operation with Old Temple, Deep Desolation deliver the successor of the extremely strong Rites Of Blasphemy-album (the review on that album was posted January 25th 2015, though it was initially released in 2012, shortly after their great debut Subliminal Visions).
