NunSlaughter do not need any introduction anymore. This band, nowadays located in Cleveland, Ohio, uSSSa (you know, the land of milk-and-honey), is one of the most productive ones on our oh so magnificent black, sorry, blue planet, and this for, well, almost thirty-five earthly years in the mean-time. And their Devil Metal created an enormous fanbase, yet still NunSlaughter remain ‘low-profiled’ and ‘underground’.
[due to health issues in my family, quite some reviews have been delayed; this one too is about an album for which the review had been prepared a while ago, yet it never got finished; now I will…]
I would like to refer to my review on Stasis (https://www.concreteweb.be/reviews/nihil-impvlse) if you want to investigate about the history of this great project by Francesco Di Stasio.
(older release, yet always worth being promoted and supported)
Ángel Chicote is a talented musician from Spanish soil, whom you might know from his current or previous collaborations as / in e.g. Graveyard Of Souls, Mass Burial, Aural Butchery or Ad Nebula Nigra, amongst others. Ángel is also the human being behind Ornamentos Del Miedo (meaning something like ‘ornaments of fear’), a project that was formed somewhere in 2017.
Not that very long ago, I got in touch with Chris, a nice person who runs the amazing label Depressive Black Ambient Records. I was surprised by what this label did release as from the start: great works through obscure and oppressive, ominous and odious sounds from beyond the putrid abysses. Destruction and self-mutilation, hate and self-hatred, fury and nostalgia; this label doesn’t share joy or happiness…
I won’t go way too deep into the matter, but RS-28 Sarmat has to do with a quite young intercontinental nuclear missile manufactured in the Russian Federation, able to devastate vast areas all around our oh so beautiful and beloved planet. Boom!
It would be too easy to call Withered Land a side-project of Bleeding Malice, but take notice that this Belarussian act was formed very recently by a member of Bleeding Malice, bassist / keyboardist / lyricist / composer / visual artist Olga Kann (she’s also the woman behind the intriguing Space / Drone / Noise / Ambient project Cryo Depth). For this project, she has been assisted by Bleeding Malice colleague and vocalist Alexander Rabets.
Two years and a half after their debut Blood Oath, Dunkelheit Produktionen do release the sophomore full-length album With Hoof And Horn by Flemish act Rituals Of The Dead Hand, part of the sweet collective The Nox Entity. This band was formed in 2016 by Hemelbestormer members Filip ‘Lykaios’ Dupont and Frederik ‘Isangrim’ Cosemans.
I will not go too deep within this Flemish band’s history this time; I’d rather like to refer to one of the reviews I did write for their former full-length releases – see below for the links on Burden (Satanath Records, 2015) and Bleakness (Symbol Of Domination Productions, 2018). So, I will go almost immediately to the aural content of this newest effort by this act from Antwerp-based soil. But first a small introduction…
