These Finnish metallers sure know their game: powerful, terrific hooks; heavily overloaded sweeping rhythms; and fantastic, scorching guitar work relying on fast-mid paced, yet imaginative enough drumming. This is one well-functioning unit. And thanks to all of the above, the album flows very nicely and manages to maintain focus and interest, with a couple of softer moments, for the sake of variation. The songs are all well-written and display the band's undeniable talent.
When my editor-in-chief handed over some 15 albums to be reviewed about a month ago, I didn't really check what was into the package until about a week later (I had too much backlog work to be done first before I could concentrate on something else), and found myself somewhat dumbfounded at finding the new Aborym album in there. Surely, he knew that this band had Black Metal ties?
Norway has always been one of my elected countries when it comes to so-called Nordic-styled Black Metal, of course, yet also when talking about whipping, possessing Traditional Folk Music. I’m not only referring to, for example, some of the project done by Black Metal artists (like Darkthrone, Satyricon, Windir with a couple of folkish side-projects), even though, when introducing this band, I have to refer to the Norwegian Black Metal scene as well.
The first part of a trilogy by legendary Californian act Von. Fifty-five minutes of icy, painful, misanthropic and desolate Aural Darkness.
Toxic Holocaust mutated into existence in 1999, when Joel Grind merged his love for classic punk and metal into his ideal band. Like his influences - Bathory, Venom, English Dogs, Possessed, Broken Bones – TH featured blazing riffs, gravel-throated vocals, and a deadly fixation on the evil in man and a post-apocalyptic world. Grind wrapped all of these elements up with a DIY attitude and begin writing and recording material almost instantly.
Terror, hailing from Los Angeles and Richmond, has been around for ten years now and can easily be considered as the hardest working band around: five studio albums, side projects such as Down To Nothing and Donnybrook and countless tours around the world later, they're ready to unleash a new masterpiece.
After the release of the excellent record Keepers Of The Faith, expectations were high.
In a very short time (foundation was in January of 2010) after coming out of the rehearsal room, this Limburg (Belgian province in the Dutch part of the country) based instrumental band made an impression at a couple of band competitions [won 2011's Maanrockrally and Theater Aan Zee (the latter got the band 7500 euros of production budget), and were finalists at that same year's Limbomania]. Not that surprising really, considering we're dealing with a septet which includes no less than 5 guitarists!
Spiritual Beggars have been around for a long time. Their first self titled album was released away back in ‘94 and since then the band has strived to make melodious and challenging hard rock music always looking to be that bit different. This is fully fledged retro rock. There are edgy, driving guitar riffs, layered keyboard fills and swirls, big melodic choruses, a firing vocal performance, classy production.
Not to be confused with bands by the same name [most notably the Thrash/ Death Metal act from Miami, Florida, there's also band with the name from Holland playing Doom/ Death Metal), the US (Alternative Rock act from Arkansas) and no less than three from the UK (one from Huddersfield playing just “Metal”, another from Bradford playing Epic Doom Metal, and the last one from Milton Keynes, playing a hybrid of Folk, Prog and Rock)] this Post-Hardcore quintet (consisting of lead singer Maarten Vanarwegen, guitarists Erwin Wehenkel and Glenn Catteeuw
Based in Lismore, Co. Waterford, South Ireland, Melodic Metal act Sirocco was formed in early 2003 as an instrumental quartet, of which today only rhythm guitarist Jim Tobin remains.
