To say it took a few listens before Har Nevo opened up would be the understatement of the year. I still have to be in a particular mood to really enjoy the music fully, This is The Black Heart Rebellion latest and they have created an album of the type that doesn't come along very often.
Fatal Impact’s humble birth was around a decade ago. The band hit stages all around Norway with their forceful, pounding, dark yet illuminating music. The band released their self-debut album “Law Of Repulsion” in 2008.
The album begins mid-tempo numbers like “Where the Alders Grow” and “Silent December” are slightly boring. “End Time Theater” includes bright shredding solos, “The Blind Man’s Eye” is very heavy and aggressive song.
First discussion: full length or mini? Nearly thirty minutes, not fully.
Second discussion, and much more important: what to think about this material? The band consists of highly experienced musicians (Mark Riddick, Brian Forman and Matt Pike), so the expectations are high. Is it satisfying, does it fulfil one’s morbid nightmares?
Svart Records holds especially Finnish acts on its roster, yet there are a couple of exceptions. This goes, for example, for High Priest Of Saturn. This band hails from Trondheim, Norway, and consists of three permanent members: Merethe Heggset, Martin Sivertsen and Andreas Hagen.
The number of Metal bands that I do know from Liechtenstein, a country sweetly floating in between Switzerland and Austria, is very limited, especially when it comes to ‘my kind’ of Metal. There are a couple of acts I do like within the Dark Goth / Ambient / Classical genre (WeltenBrand and the likes), and we do / did have bands / projects like Elis / Erben Der Schöpfung, but when it comes to Death / Black / Funeral Doom / … material, this country remains quasi-virginal. Liechtenstein isn’t but a very small country, of course.
Moss’s Horrible Night is grim, bleak, desolate, distorted, sombre, painstakingly slow yet the infernal pandemonium Chris Chantler-drums, Dominic Finbow-guitars and Olly Pearson-vocals/bass whip up is intoxicating.
From Prague comes a very nice Progressive Rock/ Metal act (with additional elements), formed in 2006 by singer/ guitarist Martin Schuster (formerly of Arawn and currently also a member of Pessimist), bassist Adam Palma, and drummer Filip Kittnar (formerly of Hell, he also bashes the drums in the band Lammoth).
Evil Invader’s music is built upon the structures of 80s speed/thrash and fans of bands like Savage Grace, Agent Steel, Razor, Exciter and Jaguar will want to give this one a spin.. The disc spins off with “Victim of sacrifice” a pounding riff-monster played in 80's nwobhm/thrash tradition, rolling on gripping repetition leads and a double-bass drummed drive. If you like this track, you’ll surely also love the rest of the album.
I did have the goated honour to review Milking The Goatmachine’s former releases Back From The Goats, Seven… A Dinner For One, and Clockwork Udder (see this wonderful site’s archive section in case you do goatly care), and now our pretty website’s boss grants me with this crazy combo’s newest play, Stallzeit. Time to go to bed, dear goats, but not without those sweet lullabies during bedtime-porridge!
I have to admit: I’ve never been a ‘fan’ of this Dutch band. Holland is known for its huge so-called ‘female fronted’ scene, i.e. Gothic, Symphonic or Epic oriented (Heavy) Metal with a female singer, and more than once this country exceeds the international colleagues / competitors easily. In many cases, the Netherlands indeed are spectacular country (I won’t start enlist a selection of bands, because whatever…), but La-Ventura did never please my ear drums or grey cells at all (cf. a full length and an EP during the first decennium of this century).
