In the (recent) past, I expressed my passion for the Canadian Black Metal scene, with positively-evaluated reviews for bands like Csejthe, Finnr’s Cane, Ov Hollowness, Insidious Omen or Sepulchral-signed acts like Neige Éternelle or Monarque, amongst others.
Californian Satanic horde Enbilulugugal was formed in 2000. In mean time, they released some thousands of recordings, especially as demonstrational material, or as split. When it comes to the splits, they did work with same-minded sick-heads like Darkosis, Static Goat, Gromkult, Pyfyxfyru, Skeld or Necrobestiality, mainly projects or bands some Enbilulugugal-members were, or are, involved with as well.
San Francisco-based project Vastum, with former and current members of e.g. Acephalix, Necrot and Hammers Of Misfortune, did surely impress undersigned, and undoubtably tens of millions of others, with 2011’s Carnal Law. The sophomore record Patricidal Lust was recorded at the famous Earhammer Studio and goes on in the very same vein, yet with a heavier and more dense and darkened / darkening core.
I have no idea why this album gets re-issued, but it has been released about one year ago. Unfortunately I cannot find the review done back then (otherwise I could just copy etc…), but anyway, I will keep it short. The band hails from the Canary Island (a part of Spain in the Atlantic) and was formed fifteen years ago. There was one full length before, called Entrance, which got released in 2010 via STF, and the band performed on stage in support of bands like Swallow The Sun and Dark Tranquillity.
Psalm Zero are a new project from New York City, comprised of Castevet’s Andrew Hock on guitars, programming and brutal vocals, and clean vocalist / bass player / synth wizard Charlie Looker, known from recently disbanded alternative Heavy Rock act Extra Life.
For this isn’t but a short (ten minutes of duration) two-tracker, I will not spent my un-wasteful time on a majestic biography. This single is a prequel to their upcoming full length, and then (meaning: when I have the opportunity to review the new album) I will be more kind to do so… Just this: Negura Bunget are one of my favourite acts from Romania. I do follow them since the very beginning and I can appreciate (almost) everything they did in the past.
Malthusian hail from Ireland and were formed in 2012 by former or current members of e.g. Abaddon Incarnate, Wreck Of The Hesperus and Mourning Beloveth; indeed, quite impressive it is! The quartet recorded its first demo at the Sun Studio and the material will be released on tape first, followed by a vinyl edition and mini-CD later on.
Primo: Hells Headbangers and their intelligence for the re-issue of classics. In an impressive series (think: Deceased, Beherit, Mortician, Incantation, NunSlaughter, Insanity and many more), the label comes with the vinyl re-release of Dahmer, originally released in 2000 via Decomposed / Hammerheart Records.
Days Of Loss were formed about a decade and a half ago. During the first half of the first decade of this millennium (got it?), they self-released Lobotomy (2001) and Sleeping Gods Lie (2004) before fading into silence for a while.
The German band Darkmoon Warrior was formed at the beginning of the second half of the nineties by two (anti) human beings, Grommon and Atom Krieg. During this era, they recorded stuff that sort of mixed the harsh Black Noise sounds of cult-act Abruptum with industrialised Ambient material à la Neptune Towers (you know, that excellent side-project of Fenriz) (cf. the demos After The Final Armageddon and After The Final Holocaust).
