Ivan Tibos.

Bordeaux… I do appreciate some of the wines coming from that era, even though not every sub-region out there can completely please me (I am a connoisseur-amateur, with a profound passion for wines and distillates, but that’s another story). However, there’s another Bordeaux-based existence I do appreciate enormously: Year Of No Light. This band was formed at the beginning of this century and they did record a handful of highly acceptable releases with a mostly breath-taking atmosphere.

Markradonn are an Orlando, Florida based project by Haniel Adhar (g, v, b, production, engineering, mix, music and lyrics). He wrote a couple of songs that are based on the Floridian-styled Death Metal scene, but created with a completely different, unique angle. Done with the assistance of several session and guest musicians, his first studio result under the Markradonn-moniker, called Final Dying Breath, turns out to be a Death Metal-oriented form of Extreme Music incorporated with (cf.

The New York City-based act Imperial Triumphant was formed in 2005 by two guys who were active within the Death Metal scene especially (Malignancy and Pyrrhon, for those who care).

Down Among The Dead Men (question: named after the so-called The Lord Weird Slough Feg 2000-record, or the eighteenth-century John Dyer song; there are a couple of scriptures (i.e. books, novels, stories) too with this moniker, by the way) is a new project, which shamelessly can be labelled as ‘super-group’. Why? Because of the members. Down Among The Dead Men were formed by two extremely skilled and well-known Extreme Metal musicians (both of them wrote the music for this first album).

Alehammer are a combo with former and / or current members from e.g. Impulse Manslaughter, Prophecy Of Doom, Extinction Of Mankind and Hellkrusher. They released a 10”EP in 2007, called Mine’s A Pint Of Crust (via Italy’s Agipunk, with acts like Prophecy Of Doom and Children Of Technology on its roster), and in 2009 there was a split with Sweden’s Tyrant, also via this Agipunk-label.

Italian act Grime recorded the debut-album Deteriorate (total running time: forty one minutes) at Igloo Audiofactory with Enrico Baraldi, and it got mixed and mastered by one of the most experienced guys within this specific scene, Billy Anderson (known for his studio work with, for example, Neurosis, AmenRa, Ramesses, Dragged Into Sunlight, Brutal Truth and tens of others).

Almost ten years ago, Aetherium Mors from the U.K. were founded by Kane Nelson (vocals) and Dan Cough (instruments) in order to pay tribute to the likes of Carcass, Death, At The Gates, Dissection etc. The initial line-up, however, didn’t hold (due to a lack of interest or persuasion or appreciation by the other members), and the duo went on as a studio-only project. Both of them, by the way, also got involved by other musical outlets.

Concreteweb is a Rock and -especially- Metal-oriented site. But more than once, one of the reviewers comes with something that isn’t quite ‘Metal’. Since we’re an independent site, we can do whatever we want, so if you have a problem with this, please [self-censorship ;-)]

Canada is one of my preferred countries when it comes to icy and Nordic Black Metal (with the Québec-era as one of the most outstanding ones, by the way). But I am also extremely ‘fan’ of the Canadian Death Metal scene, for this one is one of the most honest and pure ones in Mater Terra’s history. It would be stupid to list up the bands I do like, but one of my favourites for sure has always been Montreal-based Kataklysm.

The Wish Is Father To The Thought was the debut studio full album by Dutch band Eternal Solstice, originally released in 1994 via Musikfabrik, and very shortly after re-issued via Displeased Records (and for the vinyl-freaks: Dark Descent Records re-released the stuff on LP in 2012).