It is with grief, and shame, that I have to admit that I did not review any release for Depressive Black Ambient Records since more than half a year, despite two hands full of new (and great, evidently) releases. But I’ll make it all up, starting with this successor of Catharsis by Mexico’s Trauma.
In all honesty, I have seen this duo growing and growing throughout their time at the Aesthetic Death offices. I did not dislike Nightmare Painting at all, but I did ‘miss’ something essential. With Hallucinations, I enjoyed the important step forward enormously. But as from the last album, Decadent Luminosity, I was convinced about the impact Haiku Funeral have on my open-minded state-of-mind (for what it’s worth).
Short biography: formed in 2019, with an independently-released EP shortly after (including a Metallica-cover; and for what it’s worth: it was / is a stunning EP, with an amazing reinterpretation of that original anthem).
Only three days after the ‘official’ release of this album, Mass Graven Image had a split released on the very same label, together with Sado Rituals, which is the main outfit by Gates Of Hypnos’ president Przemysław. Maybe a review on this split will follow (I politely begged my Lords to present me the gift of Time…); but first thing first, and that’s what The World Burns To Death is all about.
[I promised a (female) friend of mine from Oceanic ‘soil’ to write down my thoughts on this release; due to circumstances I haven’t had the time / energy yet, but since I try to keep up my promises, at least to those people that deserve this… Better somewhat later than never…]
WarHymn is a very young band from Romanian soil (more specifically: from the capital city of Bucharest), which was formed in 2019 by Alin ‘Shavy’ Savlovschi. In very early 2020, WarHymn (still a solo-project) self-released the debut Gnosis; soon after it got re-released physically via Narcoleptica Productions.
One of the 666 alter egos by Maurice ‘Mories’ de Jong aka MdeJong is Hagetisse, which he created almost six years ago, if I am not mistaken. I am not going to delve into this great musician’s huge discography; at the bottom you can find some reviews I did write in the (recent) past about some of his other outfits. I’ll go immediately to the content of De Verminkte Stilte Van Het Zijn and the Hagetisse essence.
I will keep it short this time, even though I am reviewing a truly magnificent act with the fabulous moniker Idylls Of The Last King. This review deals with a kind of compilation, which is dedicated – not just morally yet also financially – to the Republic Pilgrim charity organization, which tries to help youngsters from (Ukrainian) soil who are homeless, who are drug-addicted, or who have run away from their current life situation.
The word ‘pyra’ comes from ‘wood-pyramid’ when referring to a pile of wood, like a (funeral / sacrificial / tribunal / burial) pyre. English-speaking folks might have known that, but in case you did not (yet), here you are… Purification through fire, or something…
I know that both projects did release new material in the meantime, but then again: so what?!
