I do not think I did review any former release by She Spread Sorrow; at least, I can’t find back any source. However, I do deeply appreciate the explicit material by Alice Kundalini, the ‘brain’ behind this intriguing project. Yet even-though I haven’t reviewed any former She Spread Sorrow recording yet apparently, it is never too late to show my appreciation and dedication. Ergo: here’s a review for this project’s latest release, called Huntress.
No introduction needed; just adding that Cities Last Broadcast is one of the outfits by Swedish sonic artist Pär Boström. Indeed, thé Pär it is.
A totally new entity from Polish soil came my way very recently. When I noticed that this release was a mutual effort of that new act in collaboration with Lower Silesian Stronghold, it did trigger my attention even more.
Being inspired by the combative spirit and the pristine wilderness of his homelands, being the region of Novosibirsk, Nikolay ‘SiN’ created an eighth full-length that goes on in the vein of the past. Active since 2005, Astarium did create an own approach of Atmospheric Ambient Black Metal; but I’ll go deeper into the matter immediately. First some details about this album’s administration.
Vampirska are a young yet mysterious entity from North-American soil, which I do appreciate a lot. Due to circumstances, however (and unfortunately), I did not have the time to write a review on this act’s (fabulous) stuff before. But hey, now I will inject my energy in a description of this project’s latest recording, which is called Vermilion Apparitions Frozen In Chimera Twilight.
Wroth Emitter Productions is a Russian label, founded by Alex ‘Curche’ Pyshkin, who is also active as lyricist / chanteur in the Doom-Death act Halter. It’s a small and modest label, despite a long time of existence / experience. Quality above quantity, you know. Anyway, a stunning release they are responsible for is We Were Always Alone, the debut of the Finnish-German duo Oakmord.
Witch Haus In The Forest is a collaborative effort by two international acts, i.e. one from Belgium and one from Chile. Marc Ceulemans aka Brainquake is a very productive Electronic / Noise / Experimental musician from Belgian soil, active since last century and responsible for numerous releases, amongst which different splits / collabs (with e.g. Brazilian Noise project Ferra-Reto [related to Nailed Nazarene Industries] or Italy’s HNW outfit Rapace).
Despite having some Gotmoor members in its ranks, it would be too easy (and incorrect) to consider Darkest Mind as a side-project of aforementioned top-act. The story started in 2014 or so, when Yuri ‘Y’ started this outfit as a solo-expression of the ideas he had. Actually, he wasn’t part of Gotmoor’s line-up yet, back then, which proves my former statement (about the ‘side-project’-thing).
I did deeply adore the former albums Inner Sanctum and Ectoplasm by Suffer Yourself, a project from Poland, no, Ukraine, or is it Sweden? No, seriously, Suffer Yourself was formed a decade ago by Stanislav ‘Hardman’ Govorukha, originating from the Polish side of the Carpathian mountains, but who moved over to Kyiv a while ago. At that time, he was the sole musician under this outfit’s moniker.
First this. This webzine writes reviews about Sonic Supremacy, not about Visual Art [movies / motion pictures]. But I would like to start this review with a small word about the short movie Keeley. It’s a well-written and nicely performed story, quite controversial, about religious fundamentalism and … Nope, I’m not going to spoil the fun yet. But believe me that from cinematic point of view, this material is highly recommended – and apparently it has been welcomed by many connoisseurs of the motion picture scene with superlatives and appreciation / respect / gratitude.
