CD

Since having reviewed this Padova based Italian band's debut full-length album (It's Time To Face The Doomsday; review posted 27/10/2010), quite a few things happened, among which my greater understanding of their history.

My first introduction to Brazilian thrashers Korzus  was their 1986 album “ao vivo”,  this was the result of extensive tape & vinyl trading. Back then Korzus where next to SEPULTURA the only Brazilian band I was really aware off. Now 2014, and !9!

Finally a power metal album which is worthy of the term Power metal, US power metal from Detroit that is.  So that means high pitched yet powerful vocals, (no DRAGONFORCE / BLIND GUARDIAN/ HELLOWEEN crap) ferocious guitar riffs and leads assisted  by  a tight rhythm section.

German power metal… even after 35 year or so it stays a story of some hits but mainly loads of misses.  So is FORENSICK a hit or a miss…?  Well let’s call it a bit of both..   On a positive note the band is not overdoing it with choirs, happy singalong choruses and pompous sounding  keyboards..

Dàmn, I lóve this band's most recent release...in fact, I dare even declare that it's one of those rare exceptional albums the seasoned voluntary (meaning: not paid for all his hard work) music journalist comes across, which entice him to continue to waddle through hundreds of middle-of-the-road and occasionally mediocre stuff. The thing that keeps him goin', what!? Okay, enough personal issues, let's get down to the business of presenting this ultra-fine band to you!

Upon A Burning Body's music is generally listed as Deathcore (with additional influences from Groove and Southern Metal), but quite honestly, I personally fail to see the difference with the original definition of the term Metalcore (= a blending of Hardcore music with elements of the “Metal” - be it Black or Death – genre). Ach, well...everybody's entitled to their own view, right, but what eventually should prevail, is how the musicians see themselves!

Udo Dirkschneider has been in the music business since 40 years, first with German metal band Accept, with whom he got his first success, afterwards with his own band, simply named after himself UDO.  This is his fifteenth studio album so far, and while not a true concept album, it’s main theme is the decadency of nowadays life, especially by the rich and privileged part of our society.

Well, well...mysteries àre of this world, 'cause here's yet another relatively well-known Canadian Progressive Rock act (selling 1.6 million albums worldwide and achieving a #1 hit on the Canadian singles charts with “Heaven Coming Down” in 1999) on with no less than now 12 albums (among which a compilation and a live album, but also 8 releases through EMI Music Canada) to their name...and I'd never come across any of the trio's music! Until now, that is...but looking at the band's history, the latter two albums just might never have happened!

When I first heard the music of this band [and regrettably that was already a couple of months ago, but all kinds of elements – such as conditions at work (where I gather the extra info needed for my reviews) worsening, new batches of releases delivered to me by the editor-in-chief containing stuff taking priority, getting ill a couple of times, and generally having less time (again due to work conditions weighing thru') – have delayed my starting on this here article], I could not help, for some obscure reason, thinking of a somewhat raw version of UK's Amebix.

When I put this CD on, I had not looked at the info about this band yet.  Upon hearing the first notes I said to myself : I have heard this voice before.  And damn right I was, vocalist is none other than Urban breed (Tad Morose, Bloodbound, …).  So I started looking through the other info.