…with some delay; a pity at the one hand, for the physical edition is sold out in the mean-time (a cassette version and one on compact disc, carefully remastered by Simon Heath), but the digital one is still available; and since it is never too late to focus on ‘older’ stuff of such high quality, even-though I’ll keep it concise this time, a few words...
First this. This webzine writes reviews about Sonic Supremacy, not about Visual Art [movies / motion pictures]. But I would like to start this review with a small word about the short movie Keeley. It’s a well-written and nicely performed story, quite controversial, about religious fundamentalism and … Nope, I’m not going to spoil the fun yet. But believe me that from cinematic point of view, this material is highly recommended – and apparently it has been welcomed by many connoisseurs of the motion picture scene with superlatives and appreciation / respect / gratitude.
Noise and power in a golden package, White Noise Fuck Chronicles is the newest effort by Leeds, UK, based one-man army Gold, a project by a crazy human being (at least I know he’s human), here known as D¥$FUNCTion.
It is by going down into the abyss that we recover the treasures of life (Joseph Campbell).
Not that very long ago, I got in touch with the sympathetic guy behind the label Depressive Black Ambient Records. Chris is a dedicated guy when it comes to Underground Music, but this Polish label’s roster too does impress enormously. It has to do with both the highly-qualitative projects involved, as well as the open-minded approach, for it deals with a wide range from Ambient to Noise, as well as some Black Metal projects.
Das Zeit was originally released in 2018, so this review deals with a re-issue of an older recording. But both the kind Gates Of Hypnos chief P. Sadox and undersigned (it is I; almost as kind as Mister Sadox) agreed to promote the reissue; the first one via the digital re-release, the other one (it’s me again) via writing down and publishing my ideas, also known as ‘a review’.
I am almost ashamed to admit, but I had not heard of Saarkoth before. However, this formation started more than five years ago (2016), being formed in the Staffordshire area (UK), initially as a trio. After a nameless demo, the band – back then still as a trio – recorded and independently released their debut Jera, and in early 2020 Saarkoth, now as duo since their bass player left, returned with a lengthy one-track hymn, called Follow The Cult (also without assistance of any label).
Violence makes me feel comfortable…
Silent Obsession are a young project (formed in 2017) from Algerian soil, formed by Max Marginal. At the end of Spring 2020, as a quartet, Silent Obsession independently released a first EP, called Lost. Now, about one year later (and a couple of minutes or so), the project finished a second EP with the working title Countdown, also independently released.
Normally I do not delve deep into Metalcore-oriented stuff. Concreteweb (undersigned included, as being the sole reviewer) however tries to be open-minded, as long as the content is worth being treated. Well, earlier this year a band from Kortrijk, Flanders, Belgium, Europe, Earth, Universe, sort of asked me about my opinion of their new album Weight Of The World. And you know, since I was (and still am) surprised the positive way by that release, I have no reason not to write down my thoughts on that album.
