I will keep this review’s introduction very succinct, for I sort of did introduce Noise artist (hehe, sounds cheesy) Mories a couple of times before in reviews for acts like Aderlating, De Magia Veterum, Cloak Of Altering or Gnaw Their Tongues. You can search for it (by entering that moniker in the “search” tab), you can think you know everything, you might pretend as if you don’t care, you xxx [self-censorship]
Anti-pacifists will recognize the name ‘rds-220’ as an extremely powerful Russian nuclear bomb from that time when West and East weren’t best friends yet. Nowadays, that did change, haha. No, I am not going to turn this story into a political one, but an ‘rds-220’ was used as propaganda material from the former Soviet government against the western enemy – the Iron Curtain story, you know…
With some delay, but since it is never too late to focus on some wonderful material… And as prequel for the upcoming album Egrégore…
I am, to be honest, not that much ‘into’ Hardcore / Punk / D-Beat. Okay, I can appreciate it, but I am not exactly a ‘fan’. However, the Belgian (or in extension: the whole Benelux) scene might be underestimated on international scale, but there is a very vivid and strong upcoming scene going on. Actually, that’s the case since decades, yet lately the scene exponentially sort of explodes.
Often it is a pleasure to experience the result of a collaboration in between two artists from the Drone / Ambient / Experimental / Noise scene.
In 2011, Gizeh Records owner Richard Knox (also in e.g. Shield Patterns, Glissando and The Rustle Of The Stars) started a project called A-Sun Amissa as an instrumental outlet for his many ideas.
One of the sickest bands from Belgian soil, playing so-called ‘filthy blacksludgedronedoom’ (sounds like an erotic whisper in my ear…), is Alkerdeel, a four-piece that was formed in 2007. As from the early years, ten years ago, this trio performs an extremely raw, noisy form of, indeed, Black / Sludge / Drone / Doom stuff, and undersigned truly adores every single recording this act did in the past. Except for two, and it sadistically hurts: their split with Nihill and their co-operation with Gnaw Their Tongues. Why?
After The Abyss Stares Back # 1, The Abyss Stares Back # 2, The Abyss Stares Back # 3, and, indeed, The Abyss Stares Back # 4, we can now welcome The Abyss Stares Back # 5, the final instalment of this vinyl series. Under the collaborative flag of Absent In Body, this time too, The Abyss Stares Back stands for a co-operation by some of our world’s most unique, prominent and authoritarian (smiley…) artists.
Some math (no meth!) before starting the review: one plus one might be more than two. My sons do not agree, since their teacher tried to convince them that one plus one simply makes two, always, no exception. My autistic half totally agrees. 1 + 1 = 2. I checked it on the web, and indeed, this formula leaves no room for conflict or friction. But still, my stubborn part might be convinced of the opposite.
Reveries is a collaborative result of two one-(wo)man projects, Noveller and thisquietarmy. The first one is an outfit of Brooklyn-born composer Sarah Lipstate, the latter one by Montréal-born Eric Quach.