A couple of years ago, I can in touch with Alexey Korolyov, a very sympathetic guy from Saint-Petersburg who ran (and still runs) the label Satanath Records, and the guy behind the very interesting projects Satanath and Abigorum. In mean time he also founded Symbol Of Domination Productions, another excellent label from Russia. Both labels characterise diversity, yet with a certain darkened, f*cked-up attitude. All kinds of extreme Metal are like welcome on both labels.
Coliseum are a young project from the city of Liège, Belgium, which includes members of Sercati / The Nightstalker (their albums have been reviewed by undersigned – enter the band’s name in the ‘search’-tab to read the reviews on them) and (in mean time) Zardens (latest album reviewed as well; check it out via the very same approach). The band’s existence is based on a concept, and as the moniker sort of says, it indeed has to do with the glorious gladiator fights at the Coliseum in Rome.
[review written by Peter Tibos]
You know, I was sort of depressed, for I didn’t hear anything about Immortal Frost Productions and possible new releases anymore since quite some time. In very early Spring this year, this Belgian label released Satan Ov Suns by Scandinavian top-act Doedsvargr, yet then all noise faded away into an ear-piercing silence. So imagine my semi-happiness when noticing that the label came back quite recently with – evidently – again a superb release.
What I do appreciate when referring to Spain-based Craneal Fracture Records’ roster is the diversity Jose Murcia and his crew have to offer. Everything that dwells within regions of Harsh Noise, Musique Concrète, Experimental Drone, Field Recordings, Noise Wall, Power Electronics and the likes might pass by. Even some extremer sub-genres of the Metal area are represented from time to time.
No gods, no masters!
For one reason or another, Satanath Records and sub-label Symbol Of Domination Productions have some secret passion for the Costa Rican Extreme Metal scene.
I had not heard of Digital Nova before, to be honest, but this Marseille, France-based act already released a full length before: Alpha Omega, released in 2013. And what’s more, there was an EP in 2010, so this band is not exactly a newcomer within the French scene. They also gained a modest yet not unimportant name live on stage, sharing those stages with acts such as Mass Hysteria, AqME or Tagada Jones.
I will start with a sad advertisement: Misandreproductions are no more (weeping smiley included…). The store is still active, but unfortunately there will be no more new releases in the future. Don’t ask me why, for that’s of no importance, but I’ll miss them.
Bait are a German combo that did surprise me quite intensively in early 2014 with their Cursed Among Saints EP. The most revealing element was the ease of combining things: modernism with old school, rhythm with melody, speed with slowness, all kinds of emotions, and the contrastic yet, in this case, quite symbiotic styles: Hardcore and Post-Hardcore, Sludgy Doom and Black Metal. Their success exponentially grew, quite fast, and the band was able to play live all over European soil.
