It seems like a farewell, this title: The End Of It All. For a part, that’s correct, since it’s the last chapter in another trilogy by Swedish duo Beyond Sensory Experience. They had a first trilogy during last decade, being done via defunct Cold Meat Industry, and there was a second one that was released via Old Europa Café.
Phragments, the main outfit of Slovakian artists Matej Gyárfáš and Nenad Branković, return with their fifth studio recording, after 2013’s New Kings And New Queens. That last one did slightly differ from the first recordings, for being less martial and orchestral in nature, yet rather Drone-oriented than before. And that indeed is sort of the direction this album goes on once again.
Humanitas Error Est, hailing from Leipzig, Germany, debut with Human Pathomorphism, an eleven-tracker that lasts for fifty-six minutes. The band, with former and current members of e.g. Rogash, Goatfuck and Grabak, was founded in 2013, and recently they signed to Satanath Records to have this debut released and distributed (once again in an unholy partnership with Abstruse Eerie Radiance and Black Plague Records).
I have to be honest, but I hadn’t heard of Inwolves before. This project seems to be an outfit of Karen Willems, whom you might know from her collaboration and inwolvement, sorry, involvement with e.g. Dirk Serries, Zita Swoon and Yuko. And apparently there was an album before under this moniker, released in early 2014 (Air+), both as digital download and on vinyl.
A quick one, but too interesting not to review: Voices Of Regret, the debut of The Great Wound. It’s a new outfit by Basque musicians Tristan Iniguez (ex-Darkness By Oath) and Ekaitz Garmendia (ex-Legen Beltza, Extinction). They did record (+ mix & master) this debut at the Auryn Studios (also in the Basque Country), and it lasts for forty-five minutes.
Blood Fire Death, Erzsebet and so on… I am dreaming of my favourite countess right now…
A quick one: Atomic Cucumber is a re-release of the original album from 2013, re-released in an edition of 500 hand-numbered copies via Dark Front and Zombie Records, with distributional assistance by Satanath Records. It’s a filthy piece that irritates the listener’s consciousness for half an hour, but in case you’re a masochistic entity, it might be a pleasure…
Abysmal Growls Of Despair are a very young yet extremely productive solo-project from Aimeric ‘Hangsvart’ Lerat, hailing from the south of France.
There was a Polish band called Darkstorm during the nineties, with a couple of demos that, back then, were quite appropriate to the scene. After the album / EP The Black Stone, however, the project ceased its activities. It was a pity, for there might have been a ‘future’ for this unholy horde. Apparently there was a return as Ravenlord Darkstorm (founding member Lord Darkstorm did not want to use the original moniker), yet that wasn’t but just a brief revival.
Aki Klemm is one of the most active guys within the (current) Finnish (Black) Metal scene. Not only he owns the Patologian Laboratorio Productions and the Patologian Laboratorio Studio, but he’s active in several band and projects too: Grimirg, Oath, Lathspell, Hautakammio, Seal Of Beleth, and some others.
(release date on top must be '2012' and not 2016, but this program won't go back further than 2013 - Ivan)
Quite an active act from Ukraine is Nocturnal Amentia, formed at the beginning of this century in the Lugansk area. The band released four full albums in mean time (the last one being released a couple of months ago via Cold Breath Of Silence), and they contributed on two splits; one with UK’s Black Grave, and another one with fellow countrymen of Underdark (sharing a member, by the way [*]).
