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This London based British band was founded by longtime friends Derya Nagle (guitar) and Lori Peri (bass), who picked up their respective instruments at the age of 14, and decided to start a band.

After a decade of solo work under the monicker Onethirtyeight (a wacky piano 'n' keyboards based soundtrackish kinda thing with some very weird topics, either in lyrical or visualized context – check out some of those videos at (www.) onethirtyeight.co.uk – with four releases to its name : 2002's Case #6 EP, 2003's Bring Out Your Living EP, the 2006 The Sister EP-CD, and the 2009 full-length CD (+ DVD) London Transmissions), London-based Dan Hardingham suddenly felt the need to start something in a band configuration agai

First of all, the cover artwork. Different for the German / European and American market. Check out why, and don’t deny ignorance, arrogance and narrow-mindedness. No further comment…

If Blood Of The Mistletoe sounds somewhat dark for a bandname, it is indeed the translation of this Galicia based Spanish Neo-Folk act, whom with Deixame Morrer No Bosque (translates as 'Let Me Die In The Forrest') deliver their second full-length album, albeit debut official release.

Oh my God...you must be kiddin' me...what a crazy bandname, and what a tongue-trap album title. I mean, unless you're of Finnish descent, like the band, is there really a way to pronounce that title without rollin' over your tongue twice? But good golly...does this band ever make crackin' good Hard Rock 'n' Roll music!!!

Since a few years Michael Kiske decided to switch his interest from the metal scene to be part of the melodic rock scene. That resulted in two band projects so far, Unisonic, and Place Vendome. Now with the latter he released his third album, ‘Thunder In The Distance’.

Weird name for a band, won't you agree? Well, lemme elucidate.

Doom Metal has many faces; that’s something we all know, that isn’t but a cheap side-line. Making abstraction of the Black-, Funeral-, Sludge- and Death-oriented sub-genres (amongst others), and concentrating on the more traditionally inspired bands, there are some huge different interpretations as well. There’s the so-called Epic-scene (with sword and shield), the Sixties-oriented one (with joint and mushroom), the sabbathesque clones (also with joint and mushroom), and so on, and so on.

You thought this might be a new album, a follow-up to 2012's Half Blood?

HateSphere dwell within a specific genre I do not like that much, but this Danish act has always been one of my absolute favourites within this modern Thrash-edged scene. The Napalm-release To The Nines from 2009, for example, was for sure one of my favourite Thrash albums that very same year.